Area of Specialization/Interest:
Area of Specialization:
Cross cultural theatre practices.
- Collaborating with theatre Roots and Wings (an international theatre group from Kerala) from the year of 2008.
- Directing and acting with Japanese Music life (JML) Tokyo from the year of 2006
- Collaborating with ITFOK ( International Theatre Festival of Kerala ) from the year of 2010
Classical Indian dramaturgy and Yogic Practice.
- Evolving the practice of Natyasastra in connection with Yogic Practice on ancient India
- Doing collective research on Indian classical and folk dramaturgy and Tantric Practices
Autonomous actor training with kalaripayattu (South Indian martial art) and Zen philosophy
- Learning Kalaripayattu from the age of seven and teaching in relation with the awareness of an autonomous actor training around the world.
- Researching on the relationship between the performing arts of Kerala and Kalaripayattu.
Area of Interest:
Interested in how theatre shapes and is shaped by society.
- Started Bharatha theatre in the year of 1990 at Calicut university (Kerala)
- Travelled extensively in north east region of India for giving training to young theatre practitioners with the help of National School of Drama New Delhi.
- Guiding “Velipadai” Theatre Group in Pondicherry from the year of 2012
- Working with tribes in Kerala from the year of 2013
- Collaborating and teaching with Theatre Professionals (Mumbai) from 2009
Keen on the harmony of audience and actor in performance practice.
- Practicing theatre in connection with both political and technical aspects of creating harmony in-between audience and actors’
Aesthetic-critical and socio-historical approaches of performance-art making.
- Learning and practicing Butoh (Japan) from the year of 2005 in connection with a parallel aesthetic concept.
- Conducting workshops on performance art making in relation with the suppressed bodies and its liberations.
Thrust Areas:
Exercising the Theatre of Quietude.
- Evolving and directing theatre productions for peace and brotherhood.
Novelty and poetry of an organic movement in theatre.
- Practicing collectively in both organic farming and theatre practice as the tradition of world theatre movement
Spiritual potentiality in Asian theatre practices.
- Learning and teachings of spiritual practices in relation with theatre practice of Asian continental
Major Productions:
- Cycle Yajna an evolved performance at Pondicherry -2015. http://cycleyajna.blogspot.in/
- ‘Man woman and dog’ written by Indira Parthasarathy, Pondicherry university-2015
- ‘Clouds’ an evolved production with the Probationers of National Academy of Customs, Excise and Narcotics, New Delhi-2014
- ‘Act without word 11’ written by Samuel Becket, Pondicherry-2014
- ‘Attempts on her life’ written by Martin Crimp, Pondicherry university-2013
- ‘Time of your life’ a production based on Karnabharam of Bhasa Kavi evolved with Tomoe Tara, JML Tokyo-2013
- ‘ The Run’ written by Sanker V, Theatre Professionals, Mumbai-2012
- Homo sapiens an evolved production with Pondicherry university students-2011
- ‘Homeless people’ an evolved work with Pondicherry university students-2010
- ‘Omni bus of Samuel bucket’, three short plays written by Samuel bucker, Trissur Kerala-2010
- ‘ Coffee Guru’ an evolved production based on the short story of Vaikom Muhammad Basheer with Sadhana India International workshop group from Chile, India and Argentina-2009
- ‘Last Breath’ an evolved work with Kazo Ohno Butoh Studio, Yokohama, Tokyo-2007
- ‘That was my heart’ an evolved work with Tomoe Tara,JML, Tokyo-2007
- ‘Food for the soul’ a Butoh performance at University of Hyderabad-2007
- ‘ Kerala Hotel Koothu’ an evolved production with Tomoe Tara JML, Tkyo-2006
Lectures delivered in India / Abroad:
- Plenary lectures -National-12 International-6
- Invited talks National-10, International-5
- Contributed oral presentations - 15
- Poster presentations - 2
- Only attendance National-5, International-2