Current Style: Standard
Cross cultural theatre practices.
Classical Indian dramaturgy and Yogic Practice.
Autonomous actor training with kalaripayattu (South Indian martial art) and Zen philosophy
Interested in how theatre shapes and is shaped by society.
Keen on the harmony of audience and actor in performance practice.
Aesthetic-critical and socio-historical approaches of performance-art making.
Exercising the Theatre of Quietude.
Novelty and poetry of an organic movement in theatre.
Spiritual potentiality in Asian theatre practices.
Cycle Yjna – a cultural gathering project funded by Theatre aspirants from all over the world http://cycleyajna.blogspot.in/
New performance making project in theatre making funded by India foundation For the Arts with the collaboration of Pondicherry University. http://www.indiaifa.org/prabhat-bhaskaren.html